The Cleveland Orchestra, Franz Welser-Möst, Sarah Aristidou & Tony F. Sias – Ustvolskaya: Symphony No. 5 – Poulenc: La voix humaine (2026) [24B-96kHz]
Quality: 24-Bit/96 kHz
Genre: Classical
Year Of Release: 2026
Number: 11
Total Time: 52:35
Total Size: 0.86 GB
Label: The Cleveland Orchestra
简介
《Ustvolskaya: Symphony No. 5 – Poulenc: La voix humaine》是克利夫兰管弦乐团在音乐总监 Franz Welser-Möst 指挥下，于 2025 年 5 月 23 日在克利夫兰首演的现场录音专辑，由乐团自主发行。这张专辑大胆地将两位风格截然不同的作曲家作品并置：苏联作曲家 Galina Ustvolskaya 的《第五交响曲”阿门”》（Symphony No. 5, Amen）与法国作曲家 Francis Poulenc 的歌剧《人类之声》（La voix humaine）。Ustvolskaya 的作品以木块击打、极端力度和非常规乐器组合为特色，营造出持续的紧张感；而 Poulenc 的单幕歌剧则以电话独白形式展现一位女性痛苦的情感世界。这张唱片以高解析度音频录制，音质鲜活饱满，完美呈现了 Cleveland Orchestra 闻名遐迩的丰富音色与精湛演绎。
Ustvolskaya: Symphony No. 5 – Poulenc: La voix humaine is a live concert recording by The Cleveland Orchestra under Franz Welser-Möst, premiered on May 23, 2025 in Cleveland and released in 2026. This album juxtaposes two radically different aesthetics: the austere, radical Soviet composer Galina Ustvolskaya’s Symphony No. 5 “Amen”, characterized by its use of wood blocks, extreme dynamics, and unconventional instrumental combinations in a state of unrelenting tension, and Francis Poulenc’s one-act opera La voix humaine, a poignant telephone monologue depicting a woman’s emotional turmoil. Recorded in high-resolution audio (Hi-Res 24-Bit/96 kHz), the album delivers vibrant, rich sound quality showcasing the acclaimed tonal beauty and precision of The Cleveland Orchestra. Soloists Sarah Aristidou (soprano) and Tony F. Sias (percussion) deliver compelling performances.
曲目
- Symphony No. 5, Amen — 11:18
- Allô, allô, mais non, madame — 1:47
- Allô, c’est toi Oui, très bien — 5:42
- Souviens-toi du dimanche de Versailles — 2:43
- Allô ! Et comme ça — 4:48
- Allô, c’est toi Mais non, mademoiselle — 2:07
- Allô ! Ah ! Chéri, c’est toi — 8:40
- C’est inutile, du reste le docteur de Marthe reviendra demain — 6:12
- Rien, je crois que nous parlons comme d’habitude — 3:14
- On avait coupé — 3:52
- Alors, voilà, j’allais dire machinalement — 2:05
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